HM Queen Elizabeth II
1926 – 2022

We were deeply saddened to hear of the death of Her Majesty Queen Elizabeth II. We send our condolences to our Royal Patron HRH Princess Alexandra and the rest of the Royal Family at this difficult time.


  • Monday September 19th – Royal Albert Hall

In light of the upcoming state funeral on Monday 19 September, our concert in the Royal Albert Hall, London, which was due to take place on this date, has been postponed as a mark of respect. The new date will be announced soon.


  • Thursday January 26th – The Orchestra’s New Year Party

    in the beautiful setting of the Wallace Collection. 

 Click here to learn more


It was a warm summer’s evening on Tuesday 7 June in New York City, and the Stern Auditorium / Perelman Stage at Carnegie Hall was buzzing with energy!

We were joined by our long-time colleague and friend Maxim Vengerov, who became the Orchestra’s Artist in Residence in 2013, and played many concerts with us over a four-season collaboration. His virtuosic performance of Bruch’s Violin Concerto No. 1 opened our Carnegie Hall debut.


“The music, so melancholy and passionate, had orchestra and soloist enmeshed in soul-enriching playing of the finest quality.” (Oberon’s Grove)

“the soloist and orchestra were simply mesmeric” (ConcertoNet)

“Vengerov’s ease and familiarity with the Bruch concerto were evident, enabling a long perspective that arched over the first movement’s impassioned scales and arpeggios.” (New York Classical Review)

We were then joined by six wonderful young violinists from the Juilliard Pre-College Division for Sarasate’s fiendish showpiece Navarra. The group joined Vengerov at the front of the stage to play this challenging piece from memory.

“the most enchanting 20 minutes of the concert” (ConcertoNet)

“In a performance meant to highlight the Oxford orchestra’s commitment to education, these teenagers looked well educated indeed, as they executed even Sarasate’s lightning left-hand pizzicato in unison.” (New York Classical Reviev) 

“With nearly perfect tuning and timing, the octet showed impressive skills both as ensemble players and as potential soloists.” (Blogcritics)

“With nearly perfect tuning and timing, the octet showed impressive skills both as ensemble players and as potential soloists.” (Blogcritics)

The second half of the concert was dedicated to Brahms’s First Symphony: powerful and heroic to fill this grand auditorium, and provide a magnificent close to our concert.

“The finale’s suspenseful introduction was distinguished on Tuesday by a splendid horn solo and an equally vibrant answer from the flute, exactly the breath of fresh air the music needed.” (New York Classical Review)

“Mr. Papadopoulos has an orchestra that technically easily essays the piece… And his conducting, neither idiosyncratic or unduly profound, was decent, lovely and an actually memorable classic.” (ConcertoNet)

“There is nothing like being submerged in the introduction’s astonishing harmonic clusters in the marvelous accoustics of a hall like Carnegie… Maestro Papadopoulos brought out internal passages that had flown under my radar in previous hearings.” (Blogcritics)

“The Oxford Philharmonic is a superb ensemble… some of the finest musicians I have ever heard. And when solo moments popped up, the individual players played like gods and goddesses.” (Oberon’s Grove)

…But that wasn’t enough! Rupturous applause from the audience demanded an encore of Elgar’s “Nimrod” from Enigma Variations – well-loved and of course, quintessentially British.

“This iconic work has never sounded so moving to me as in tonight’s performance: the musicians simply gave it their all, and the result was benediction which humanity is now so desperately in need of.” (Oberon’sGrove)

“world-class quality is what beamed from the stage at the Orchestra’s New York debut” (Blogcritics)

Overall it was an incredible event, greatly enjoyed by soloists, orchestra members and audience alike. Thank you so much for your continued support, helping us to make our big dreams a reality! And this is only the beginning: we’ll be back in New York again in 2023…


As the Orchestra in Residence at the University of Oxford the Oxford Philharmonic is dedicated to the highest standards of performance and to the idea that live performances have the power to transform lives. We believe that the essence of musical culture is the relationship between musicians and their audiences; and that music is a language that transcends all boundaries and brings people together.

The American Friends of the Oxford Philharmonic Orchestra seeks to connect you with the Orchestra’s activities which stimulate and inspire students, adults and musicians of tomorrow and bring live and online concerts to communities around the world including those who otherwise would not have access to classical music and performances.

We ensure that the professionalism of our musicians is maintained at the highest level at all times by providing them with a stable financial environment in which to operate.

Oxford Philharmonic Orchestra
On the stage, On tour, Online, In Schools

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For further information please contact:

Camilla G Hellman ­­­­MBE
Marketing Director

American Friends of the Oxford Philharmonic Orchestra
864 Lexington Avenue, 2nd floor
New York, NY 10065

Tel: + 212 729 0127


The Oxford Philharmonic Orchestra

The Oxford Philharmonic Orchestra is one of the UK’s foremost symphony orchestras, and are known for their distinctive performances and repertoire. A leading world class music institution, it has a history of international and domestic tours, award-winning recordings, and in-depth educational and outreach programs, and the world-renowned Oxford Piano Festival. 

Established in 1998, by Marios Papadopoulos, The Oxford Philharmonic Orchestra is the resident professional orchestra at the University of Oxford. Read More. . . .